01
Choose which world the visitor is entering
Illustrated story worlds gives a different introduction from exhibition concept design. The name can sit above either, but the first descriptive line should identify the chosen category. A visitor should know whether they are looking at a collection to buy, a creative activity or a service portfolio. One concrete example can then establish the scale: four scene cards, a small print series or a set of display panels. This gives the invented word a practical setting without assigning it a meaning that the spelling alone cannot carry.
02
Let circular form support the subject rather than dominate it
A round frame may echo the opening of Orbioma, but not every illustration needs to be forced into a circle. A series could use circular overview cards alongside rectangular detail scenes. The relationship should be explained through the actual content. If a diagram shows a sequence, arrows or numbered labels need to make that function clear. A decorative ring is not automatically a route. Keeping those uses distinct lets the visual identity feel coherent while preserving the readability of the material it contains.
03
Keep the invented setting separate from factual claims
An imagined garden or lookout can have its own names and rules. Those details should be introduced as fiction so readers do not mistake the collection for a real destination guide. If a later project uses actual places or scientific subjects, it will need appropriate sources and a different factual review. Orbioma itself supplies no such authority. A consistent wordmark and a plain project descriptor can carry the identity, leaving individual pages to establish which parts are invented and which are grounded in external information.